This week in the time-machine, disaster results in new approaches to time-travelling! The window at the top of the time-machine was left wide open on a sunny day, which became a rainy night, during which time Ergo & The Mongoose used conventional transport to travel a mere 100 miles away (with a few detours). Returning to the time-machine, they found a thoroughly washed mixer, and many drenched records. Fortunately amplifier, turntables, and recording facilities were left unwashed.
Phew! The mixer now sits by a radiator, soaking up the heat and hopefully soaking out the soak.
But there was a podcast to make! What resulted was attaching two Vestax turntables to the left and right inputs of the amplifier, placing the Dansette monarch next to them, and then miking up the three speakers.
By the time this has been figured out, it was very late in the day. Maybe that is why what has resulted is a very quiet, slow and spacey mix. Which the time-travellers are pretty happy with.
Using the next batch of records found in Norman's Attic, no pre-monitoring, and no effects, we hear Don Williams (incidentally also the name of Ergo's grandfather) singing with the Geoff Love Choir, multiple versions of Concerto de Aranjuez bouncing off each other, a Camel carrying a Snow Goose, a bizarre man at the piano with an eyeless woman, and a very warped Dvorak New World Symphony.
The main visual anomaly of the set, though, was definitely this disturbing shot of Nicholas Nicholas playing piano, accompanied by the woman with no eyeballs ....
Subscribe to the podcast at www.wfmu.org/podcast/MB.xml
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